Titlebook: Somatechnics and Popular Music in Digital Contexts; Laura Glitsos Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusi

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Materiality, the Bodymind, and Music Listening,ion. . 15 (1): 3–27, 2015), the author emphasizes that the role of touch and materiality maintains a critical, yet redefined, position in music listening culture despite the emergence of digital music as the dominant listening mode. This approach is then synthesized with a theoretical framework of sensorial somatechnics.

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Screen as Skin: The Somatechnics of Touchscreen Music Media,unction of skin, both in a corporeal and a discursive sense, cannot be. Skin is not politically benign. By “thinking through the skin,” to use the Sara Ahmed and Jackie Stacey’s words, the author reads mobile touchscreen technology as an exciting new way to imagine music listening in terms of cyborgian relations.

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,Conclusion: Music as Somatechné, all the details in between—it is music which we might call an ultimate exteriorization in the pursuit of pleasure. The body brings music into being, but simultaneously, this chapter looks at the way in which ..

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Book 2019lities of that world. It traverses discussions on materiality, live music, touchscreen media, the personal computer, and new modes of listening such as virtual reality technologies. Finally, the book looks at music itself as a kind of technology that generates new modes of bodily being..

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Laura Glitsoscceeded it should prove useful both to the practicing professional and to university students at the upper-division and graduate levels. I originally intended the book to be nearly twice as long. The second half was to be a review of properties relating to the origin of each group of meteorites. Cha

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chronicle