Titlebook: Somatechnics and Popular Music in Digital Contexts; Laura Glitsos Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusi

grounded

Book 2019hich is oriented by the experience of music listening. The book examines the relationship between bodies, technics, and music, using the theoretical tools of somatechnics. Somatechnics calls for a recognition of the body in the world as an artefact wrapped up, entangled and .produced. by the materia

Overstate

Lime石灰

,The ‘Creative Listener:’ Internet, Music, and the Computer-Bodymind Somatechnic, functional nature of Internet-computing technologies and they are expressed in the interactive Web 2.0 culture. The chapter argues that the PCBM produces a new ‘type’ of listener: the creative listener.

hypotension

轮流

Console

真实的人

Liveness in the Age of Digitization,illennium digital context by applying theoretical perspectives of somatechnics to certain live music listening practices. The chapter argues that there are certain technics which bring forth and produce listening pleasure, functioning with and within the somatic. Namely, there is a focus on: The tec

容易生皱纹

growth-factor

,The ‘Creative Listener:’ Internet, Music, and the Computer-Bodymind Somatechnic,or is concerned with how the listener actively and creatively produces their own listening experience as it is mediated through the fixed-point personal computer. It is asserted that the coupling of the bodymind and the personal computer produces a unified field of relations, an artefact which we ca

下船

Future Bodies, Future Music,h as TheWaveVR and 3D mapping at live shows. By doing so, the chapter focuses on where music listening is located and, moreover, where it may continue to venture .. The author proposes that popular music culture is seeing an emerging trend toward virtual and mixed reality technologies in music liste