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Titlebook: Solitude and its Ambiguities in Modernist Fiction; Edward Engelberg Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2001 f

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Solitude of Questionable Freedom in Cartesian Antagonists: Sartre and Camus,, especially as it may occur in philosophy or literature. Two philosophers have recently attempted to clarify and correct what they have called the “Cartesian Legend.” First they summarize that legend’s major points: “It is common knowledge that Descartes was a Cartesian Dualist…. As everyone knows
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,As They Lay Dying “Rotting with Solitude”: Endgame in Beckett’s Trilogy,amputated body parts, a consciousness (barely), and words. It is difficult to imagine taking exilic solitude beyond this, except to begin again with variations of previous versions. In Beckett’s three-part novel, ., and .—commonly referred to as the “trilogy”—all the narrators lie dying, “rotting wi
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Conclusion,e.g., prisons) is not the only alternative of choice; nor, as is clear from the previous chapters, is it the only state of involuntary solitude. As some of the works demonstrate, our inhibitions of choice are many, and are often psychogenically involuntary. At times, “return” is nearly impossible, a
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Book 2001iterary works, as well as what solitude as a condition has contributed to the making of a trope. Selected novels are analyzed for the ambiguities that solitude injects into their meanings. The freedom of solitude also becomes a burden from which the protagonists seek liberation. Although such ambigu
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