Titlebook: Solitude and its Ambiguities in Modernist Fiction; Edward Engelberg Book 2001 Palgrave Macmillan, a division of Nature America Inc. 2001 f

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高深莫测

Edward Engelberg Gloria Anzaldúa’s “new mestiza” consciousness as a powerful aesthetic, I analyze how Mesoamerican and Western cultural materials intersect and interact to produce new possibilities, through a dynamic strategy of Mestiz@ invention. By interpreting inscription practice in the realm of the material, o

Impugn

Conclusion,me of the works demonstrate, our inhibitions of choice are many, and are often psychogenically involuntary. At times, “return” is nearly impossible, and we are irretrievably beyond it, although no external force holds us prisoner.

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摆动

SEEK

,“Soliloquy in Solitude”: ,l attention, most commentators have also been confident, as a recent biographer has written, that the novel “ends on a note of triumph.” A number of critics, however, have become uncomfortable with that judgment and have suggested that the ending (indeed, the whole novel) is more indeterminate.

泰然自若

,As They Lay Dying “Rotting with Solitude”: Endgame in Beckett’s Trilogy,th solitude,” or living out what one critic, quoting Husserl, calls “‘das einsame Seelenleben’ [the solitary life of the soul].”. The Unnamable insists, with bitter wit, that whatever may happen to the body, the soul survives, it “being notoriously immune from deterioration and dismemberment.”

CHARM

Preface,abuse: its aim is to facilitate our under-standing of a deceptively contentious and ambiguous issue. It cannot tell the whole “story” of solitude, but it highlights one of the most critical points in the arc of its long history, the period after the Great War (WWI) to Samuel Beckett’s ., published i

STING

Introduction, until the seven-teenth century. Its current meaning as “living alone, loneliness, seclusion” assumed general coinage in the eighteenth century. The celebratory connotation of solitude belongs to those who have sought solitude in the higher, nonworldly venues of the spiritual realm, or to those who

作茧自缚

Self Against Self: Toward Ambiguous Solitude in Modernist Fiction,hat attend the solitary’s choice, from the start. . wrote W. H. Auden, and this paradoxical counter-point best expresses the double bind that encumbers the solitary throughout western history. Solitaries have often created a variety of strategies in the hope of maintaining a balancing act on a preca