Titlebook: Silent Renoir; Philosophy and the I Colin Davis Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive licence to Sprin

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on environment. We believe that there are two principal aspects to using machine learning. The first is being able to build any sort of machine learning model and not integrate it with any application (standalone model). The other, more impactful aspect involves taking the trained machine learning m

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Introduction: Renoir Goes to the Cinema,oundations of his art. However, this entails a critical neglect of Renoir’s early films. The introduction makes the case for a re-assessment of the films on their own terms, and it outlines the structure and aims of the book.

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In Pursuit of the Untamed Other: , and ,,onialism entirely misses its critical edge, crystallised in the gazelle hunt, and the realisation, as an intertitle tells us, ‘what we have done is shameful’. The dead gazelle in . stands metonymically for Algeria, a country ravaged by its colonial legacy.

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But Is It Art?: Heidegger, (Moving) Images and the Interpretation of Early Film,rt and non-art, or high art and low art, good art and bad art? What does it matter, what is at stake when we throw doubt on a work’s artistic status or worth? And is silent film an art form? Heidegger’s massively influential and important essay, ‘The Origin of the Work of Art’, attempts to specify t

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Philosophy and Film (Again): From Ontology to Hermeneutics,ilosophy is now relatively uncontroversial. The chapter examines some philosophical approaches to film, and then it focuses on the essays on film by the French philosopher Alain Badiou which, over a period of time, move from ontology to hermeneutics. The question, ‘What . film?’, becomes: ‘What and

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Reading and Overreading Film,n film studies less frequently than other branches of theoretical thought. Psychoanalysis, semiotics and feminism, for example, have all fared much better. However, the question of interpretation, its limits and legitimation, are key to the theory, experience and criticism of film. A painting by Geo

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