| 书目名称 | Silent Renoir | | 副标题 | Philosophy and the I | | 编辑 | Colin Davis | | 视频video | | | 概述 | The only book specifically focussed on Jean Renoir’s silent films.Develops a philosophical account of issues in the interpretation of early film.Re-interprets the early work of a major film director | | 图书封面 |  | | 描述 | .Jean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as .Le Crime de Monsieur Lange., .La Grande Illusion., .La Bête humaine. and .La Règle du jeu.. However, the great director’s early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir’s films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potentialof film art.. | | 出版日期 | Book 2021 | | 关键词 | Jean Renoir; Aesthetic Boundaries; World Cinema; 1920s; Political Cinema | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-63027-0 | | isbn_softcover | 978-3-030-63029-4 | | isbn_ebook | 978-3-030-63027-0 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl |
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发表于 2025-3-21 19:00:13
