Titlebook: Shakespeare, Film, Fin de Siecle; Mark Thornton Burnett (Reader in English),Ramona W Book 2000 Palgrave Macmillan, a division of Macmillan

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finite

Introduction,To capture a sense of the distinctiveness of the film ., Jack Kroll in a . item offers a parody of Sonnet 18. In his rewriting, the sonnet’s object of praise becomes cinematic artifact rather than mysterious lover:

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https://doi.org/10.1057/9780230286795culture; film; technology

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Mark Thornton Burnett (Reader in English),Ramona W

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,The Postmodern Theatre of Paul Mazursky’s ,, and unhelpful, for Mazursky’s . remains not only an aesthetically satisfying work, but one which meaningfully charts the status of the aesthetic in the globalized culture of the late twentieth century. Indeed, in its focus on the increasingly private visuality which has accompanied our ‘high degree