Titlebook: Shakespeare, Film, Fin de Siecle; Mark Thornton Burnett (Reader in English),Ramona W Book 2000 Palgrave Macmillan, a division of Macmillan

小丑

,Shakespeare Meets ,: The Postmodern Populism of Al Pacino’s ,, which clearly posits this film as the culmination of that dream. What is unusual is the way he has gone about it. Unlike traditionalists such as Laurence Olivier and, more recently, Kenneth Branagh, whose desire to communicate their love of Shakespeare on film has resulted in a handsomely mounted p

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ABOUT

,Impressions of Fantasy: Adrian Noble’s ,,ttracted widespread acclaim. Eminent critics joined to sing the praises of a ‘magnificent’, ‘notable’, ‘outstanding’, ‘stunning’ and ‘vibrant’ reinterpretation of Shakespeare’s play.. No doubt spurred on by this theatrical success, the RSC, in collaboration with Channel Four, quickly set about trans

轮流

,‘The Way the World is Now’: Love in the Troma Zone,in general an effect of uncertainty and trouble … You can’t introduce concepts, you can’t produce argumentation … but you can produce a feeling of disturbance, in the hope that this disturbance will be followed by reflection.’. This essay considers Lyotard’s vocabulary of disturbance and reflection

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Amorous

逃避责任

,The End of History and the Last Man: Kenneth Branagh’s ,,arean connections. On 31 August, Diana, Princess of Wales had died, along with her companion, Dodi Fayed, and their driver, Henri Paul, in a horrific car crash in a Paris road tunnel. A remarkable week of national mourning followed — one which witnessed genuine challenges to the power of the monarch

MIRTH

,From the Horse’s Mouth: Branagh on the Bard,spearean interpreters. His major directed cinematic productions span the whole range of the dramatist’s ., from comedy to history and tragedy. . (1989) offered itself as a seminal demythologization of a work traditionally read as a celebration of the English heroic endeavour; . (1993) breathed new c

宽大

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