Titlebook: Shakespeare and Emotions; Inheritances, Enactm R. S. White (Australian Professorial Fellow and Pr Book 2015 R. S. White, Mark Houlahan and

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书目名称Shakespeare and Emotions影响因子(影响力)




书目名称Shakespeare and Emotions影响因子(影响力)学科排名




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书目名称Shakespeare and Emotions网络公开度学科排名




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书目名称Shakespeare and Emotions被引频次学科排名




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书目名称Shakespeare and Emotions年度引用学科排名




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书目名称Shakespeare and Emotions读者反馈学科排名

委派

拖网

2731-3204 om established and emergent scholars from a range of disciplines, including performance history, musicology and literary history.978-1-349-69074-9978-1-137-46475-0Series ISSN 2731-3204 Series E-ISSN 2731-3212

逗它小傻瓜

Climate

Once Upon a Time: ,, Fairy Tales and ‘the terrifying truths of the inner life’r and lightning to converse with a group of ghosts. The play also takes extraordinary liberties with time and place, unapologetically meandering from ancient Britain during the time of the Roman Empire to what appears to be Renaissance Italy.

Ingenuity

‘Sociable’ Tears in ,gard shared tears as evidence of common humanity. In particular, I explore the meanings of Prospero’s and Gonzalo’s ‘fellowly drops’ in the context of the transition from revenge to reconciliation in ..

方舟

Power, Vulnerability and Sexuality: Representations of Margaret of Anjou in a London Chronicle and Ss sources. Further, it opens up reflection on the ways in which late medieval thinking continued to be influential in the seventeenth century. In what follows, the representations of Margaret of Anjou in MS Egerton 1995 and in . are discussed.

小卒

‘The teares of ten thousand spectators’: Shakespeare’s Experiments with Emotion from Talbot to Richaviving of ‘our forefathers valiant acts’. ‘What’, he asks, ‘can be a sharper reproofe to these degenerate effeminate dayes of ours?’ His special instance is the way audiences responded to the figure of Talbot in Shakespeare’s ..

Exclaim

Decrepit

Reclaiming Heartlands: Shakespeare and the History of Emotions in Literatureed ‘an affective turn’, an unprecedented era of the academic study of emotions, particularly in the unashamedly emotive vehicles of literature and drama, history and musicology. Following in the wake of pioneering work by Norbert Elias, recent contributions by Barbara Rosenwein and William Reddy hav