Titlebook: Shakespeare and Emotions; Inheritances, Enactm R. S. White (Australian Professorial Fellow and Pr Book 2015 R. S. White, Mark Houlahan and

Gum-Disease

Making a Virtue of Giddiness: Rethinking Troilus’ (E)Motiontional turbulence matches or perhaps produces particular bodily effects — Troilus is whirled around with expectation, suggesting the dizziness or vertigo that characterizes giddiness in medical terms today. On the other hand, giddiness seems to originate with imagination rather than physiology — it

miracle

‘I shall split all/In pleasure of my spleen!’: , and the Expression of Emotionh other pictures of the body’s hydraulic pump on St Valentine’s Day. But we are aware that these expressions and gestures are only metaphorical. In early modern times, however — in the language of early modern selves — such embodiments of emotion were not dead metaphors, but represented an explorati

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Reclaiming Heartlands: Shakespeare and the History of Emotions in Literature (‘emotives’) and cause change is so axiomatic in relation to fictional works that it does not take us far along the path towards deeper understanding of emotions in literature and drama. There is little doubt that Shakespeare’s works ‘move’ audiences and readers in more senses than one, and there n

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French Feeling: Language, Sex and Identity in ,nderstanding of French vocabulary to ‘get’ the joke. Bilingual wordplay allows audience members familiar with French privileged access to the play’s comic scenes. Rather than degrading and humiliating either the princess or the French as a group, this builds a form of aural sympathy between audience

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Emotional Education and Leadership in the , and co-operation of others.. Machiavelli countered notoriously that some leaders did better to cultivate fear and wonder than love.. In Shakespeare’s day psychology was typically explained by analogy with politics, the emotions potential rebels against the rightful monarch, reason.. Monarchs themse