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Titlebook: Sex, Gender and Time in Fiction and Culture; Ben Davies (PhD candidate and teaching assistant), Book 2011 Palgrave Macmillan, a division o

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楼主: 挑染
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Jeanette Winterson’s Love Intervention: Rethinking the Future two polarized positions are emerging from the fray: the anti-social thesis with its emblem of ‘no future’, and the perspective of queer utopianism, which conversely asserts that ‘queerness is primarily about futurity’ (Muñoz, 2006, p. 826). This chapter investigates the debate regarding queer futur
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Hymenal Exceptionalityfor the first time, they are described as having ‘held their breath before the membrane parted’ (McEwan, 2001, p. 137). This rupture signifies what Derrida (2004, p. 219) describes in ‘The Double Session’ as ‘the confusion between two’: Cecilia and Robbie are ‘stilled not by the astonishing fact of
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Time for the Gift of Danceize sex and gender relations as non-linear and non-(hetero) normative would chose as its subject a film from that generic bastion of heteronormativity, the Hollywood romantic comedy: Peter Chelsom’s remake of Masayuki Suo’s acclaimed Japanese original . (1996), ., hit the big screen in 2004, starrin
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Unbecoming: Queer Negativity/Radical Passivityexplores a feminist politics that issues not from a doing but from an undoing, not from a being or becoming woman but from a refusal to be or to become woman as she has been defined and imagined within western philosophy. We will trace broken mother-daughter bonds towards an anti-Oedipal feminism th
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Difference, Time and Organic Extinction been sexual (or at least gendered) and that this engendering of the question of time has impeded any fruitful understanding: time has been regarded either as the time taken for forms to come into being and pass away (a premodern Aristotelian notion) or as the neutral abstract ‘container’ within whi
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Queer Medieval Time in , (1921)in its links to sexuality. As Tom Boellstorff observes:.Boellstorff attempts to analyse this reliance on linear time further in order tentatively to imagine alternatives. He rightly hypothesizes that ‘straight time is shaped by linked discourses of heteronormativity, capitalism, modernity, and apocalypse’ (ibid., p. 228).
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