Titlebook: Sex, Gender and Time in Fiction and Culture; Ben Davies (PhD candidate and teaching assistant), Book 2011 Palgrave Macmillan, a division o

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No Presente Child. In literary analysis, however, the present is evaluated by how it differs from and improves upon the past. In both cases, what is paramount is the sense of history as a narrative that Edelman has called ‘the poor man’s teleology’ (p. 4). In this chapter, I aim to free the past from the tyra

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Jeanette Winterson’s Love Intervention: Rethinking the Futurethat disrupts the replication of the past. In describing how Winterson problematizes distinctions between queer/straight futurities, this chapter also contributes to the ongoing debate regarding the ‘queerness’ of Winterson’s work.

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Time for the Gift of Dance007, p. 176, n. 30). This chapter demonstrates that . does not so easily conform to the irreducible heteronormativity assumed of its genre. At the same time, my reading participates in what Roger Hallas regards as queer spectatorship, which includes ‘a rejection or neglect of narrative linearity and

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Difference, Time and Organic Extinctiontime. Or there is one general substance in extended space, and time measures the movement from any one point to another. Time is the series of equivalent ‘nows’ and man, no longer analogous to (or a lesser form of) a God who sees the reason of the world, charts movements from a point of view that is

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Titlebook: Sex, Gender and Time in Fiction and Culture; Ben Davies (PhD candidate and teaching assistant), Book 2011 Palgrave Macmillan, a division o

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