Titlebook: Schopenhauer and Adorno on Bodily Suffering; A Comparative Analys Mathijs Peters Book 2014 Palgrave Macmillan, a division of Macmillan Publ

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表状态

The World-as-Willthat distort their faces and limbs. One of his most famous paintings is . (1944). This painting forms a meditation on the image of the suffering body of Christ as, on the one hand, the symbol of a religion revolving around the idea that suffering is inherent in the human condition and, on the other

flaggy

Irrationalism and Pessimismer experienced with and within his body. He criticized the idea that the body and its ‘language’ can entirely be captured or subsumed by the world of ideas or by rational thought and understood the firmness, strength and . of corporeality as an antipode to the world of the mind:.Mishima also underst

遗传学

泄露

The Twitching of the Hands way through the darkness without a lamp.’. The overpowering bleakness of the social, political and cultural context he analyses makes it difficult, almost impossible, he observes, to find an escape from the status quo, to find the freedom to act or even to think in a world that he characterizes as

饮料

调整校对

The Road to Salvationd represents a different philosophy. One of Pessoa’s most famous heteronyms is Alberto Caeiro, who developed a peculiar materialism. His poems express the idea that, ultimately, human beings are bodies, and revolve around the need to escape the world that the subject experiences — a world permeated

NICE

Rien Faire Comme une Bête Vinteuil recurs several times. The sonata, which is played at the house of the Verdurin family, contains a melody that Charles Swann associates with his love for Odette and with the experience of happiness. Especially one recurring phrase in the sonata represents a promise of happiness for Swann, a

NOMAD

ism, which links statements regarding the wrongness of the world to analyses of the human capability to experience compassion with bodily suffering and to the redeeming qualities of the arts.978-1-349-48947-3978-1-137-41217-1

Mundane

Irrationalism and Pessimismood his body as the cause of his melancholia; he struggled with his sexual feelings and with the realization that the body changes and eventually dies. In this context Schopenhauer observes: ‘just as we know our walking to be only a constantly prevented falling, so is the life of our body only a constantly prevented dying, an ever-deferred death.’