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Titlebook: Schopenhauer and Adorno on Bodily Suffering; A Comparative Analys Mathijs Peters Book 2014 Palgrave Macmillan, a division of Macmillan Publ

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楼主: Gratification
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The World-as-Will as a process of purification, and the symbol of Christianity is an instrument of torture’. and that ‘in its innermost core, Christianity bears the truth that suffering (the Cross) is the real purpose of life’.
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The Whole Is the Wrong either utter absurdist phrases or vaguely reflect on their situation without arriving at definitive conclusions. The play is devoid of human warmth and takes place in a house that is surrounded by a world that is characterized as ‘corpsed’.
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The Twitching of the Handalmost impossible, he observes, to find an escape from the status quo, to find the freedom to act or even to think in a world that he characterizes as a ‘strait-jacket’,. and in a culture in which ‘there is not even the possibility of something outside it becoming visible, something that is not caught up in the general inclusiveness’.
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Rien Faire Comme une Bêtehis love for Odette and with the experience of happiness. Especially one recurring phrase in the sonata represents a promise of happiness for Swann, a feeling of love that he links to the experience of escaping the immanence of his subjectivity and of opening himself up towards the world. The sonata’s effect on Swann is described as follows:
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Introduction procedure that takes twelve hours and results in the prisoner’s death. The workings of the machine are described in a distant, cold and impersonal way that contrasts acutely with the gruesome suffering undergone by the machine’s victim.
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