Titlebook: Sapphire’s Literary Breakthrough; Erotic Literacies, F Elizabeth McNeil,Neal A. Lester,Lynette D. Myles Book 2012 Elizabeth McNeil, Neal A.

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mitral-valve

Introduction: ,ing Boundaries, ,ing Art into numerous languages, and was adapted as the Academy Award—winning film . (2009). . enlists both new and established scholarly voices to elucidate Sapphire’s social justice concerns and to locate her contributions within larger African American literary traditions and cultural landscapes.

Throttle

下垂

物种起源

delta-waves

“Bombs Cost More Than Welfare”: Rethinking “Responsibility” in Sapphire’s ,esources in 1980s Harlem. The novel was published in 1996, the same year that the Personal Responsibility Work Opportunity Reconciliation Act (PRWORA) was passed. PRWORA emphasized “workfare,” getting welfare recipients into the workplace and off assistance as soon as possible and generally cutting

unstable-angina

Multiple Oppressions, “Multiple Consciousness,” and the Spirit of Harriet Tubman in Sapphire’s ,igates the corridors, rooms, and mean streets of this city-within-a-city, the New Negro Renaissance’s grandest concourses—Lenox Avenue, St. Nicholas Avenue, Adam Clayton Powell Jr. Boulevard, 123rd to 127th Streets—now stand as trash-infested corridors “alive with cars and gypsy cabs and buses” (Sap

Mnemonics

“Spiky Green Life”: Environmental, Food, and Sexual Justice Themes in Sapphire’s ,and welfare reform, this chapter focuses on how each of these national problems can be linked to the global movement for environmental justice. Precious enters the classroom of Ms. Rain, her Harlem adult education teacher, and begins learning the basic literacy skills that will give her independence

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Sapphire’s , for Erotic Literacy and Black Girl Sexual Agency Aaliyah represent the psychoanalytical, sociological, and cultural configurations important to Precious and to the telling of her story. The novel is a rewriting of a lopsided sociometry or Eurocentric psychomythology, as Spillers might note, while Lee Daniels movie is, as James Baldwin would say,