Titlebook: Sapphire’s Literary Breakthrough; Erotic Literacies, F Elizabeth McNeil,Neal A. Lester,Lynette D. Myles Book 2012 Elizabeth McNeil, Neal A.

使尴尬

VEIL

创作

outer-ear

Multiple Oppressions, “Multiple Consciousness,” and the Spirit of Harriet Tubman in Sapphire’s ,cious observes, “You could see we got culchure” (57), from the “… African vendors lining the street selling Kente cloth, cowrie shell earrings and necklaces, leather belts and purses” (25) to the “nineteenth floor Hotel Theresa” (16), a Harlem landmark where notable African Americans including Lena

HERE

“Spiky Green Life”: Environmental, Food, and Sexual Justice Themes in Sapphire’s ,n on the ground (Sapphire 104-05). This is not the kind of setting that most readers associate with “nature” or the “environment.” Yet, Precious is incredibly aware of her connections to the natural world. She is not a child who has ever been to a summer camp for inner-city kids, or traveled to what

生气的边缘

Un-“Freak”ing Black Female Self: Grotesque-Erotic Agency and Ecofeminist Unity in Sapphire’s ,n the ordinary,” Heth embodied what disability studies scholar Rosemarie Garland Thomson calls “the stigmata of social devaluation” (59). As the “celebrated and reviled” monstrous “carnivalesque juxtaposition” to the white, able-bodied, male Washingtonian heroic ideal (Reiss 51, 46), Heth was “Ameri

动作谜

seduce

glamor

旋转一周

“Rock the Motherfucking House”: Guiding a Study of Sapphire’s ,ntingly lyrical compilation of many of Sapphire’s and her former students’ lived experiences. About the novel’s controversial subject matter and execution, Sapphire told an interviewer, “I wanted to tell a really pure, unadulterated story about a girl. I wanted to rock the motherfucking house” (Gord