Titlebook: Religion, Secularism, and the Spiritual Paths of Virginia Woolf; Kristina K. Groover Book 2019 The Editor(s) (if applicable) and The Autho

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,Quaker Mysticism and Virginia Woolf’s ,ral to Quaker mysticism. Emily Griesinger looks at mysticism in the writings of Woolf’s Quaker aunt Caroline Stephen, and historically in the Quaker movement in England, and also explores Woolf’s treatment of the lighthouse and light imagery in the novel. While Woolf’s usage may express modernist re

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,Woolf’s , and Dostoevsky: The Sacred Space of the Soul,y to his concept of ., or holy connectedness. Woolf’s vision of the soul corresponds to Dostoevsky’s Russian Orthodox representation of the soul: She points to an expression of spiritual value through both an individual impenetrable consciousness, what Woolf terms the “privacy of the soul”; and, mos

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,“She heard the first words”: Lesbian Subjectivity and Prophetic Discourse in Virginia Woolf’s , andoth of whom function as prophetic, visionary figures, yet whose stories end in significantly different ways. While Rhoda dies, mysteriously removed from the text in a suicide that Woolf chooses not to write, Miss La Trobe, at the end of her story, is associated with mythic, primeval forces. Analyzin

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ationalism and the metaphysical in modernist literature.Addr.Religion, Secularism, and the Spiritual Paths of Virginia Woolf. offers an expansive interdisciplinary study of spirituality in Virginia Woolf‘s writing, drawing on theology, psychology, geography, history, gender and sexuality studies, an