Titlebook: Religion, Secularism, and the Spiritual Paths of Virginia Woolf; Kristina K. Groover Book 2019 The Editor(s) (if applicable) and The Autho

轿车

,A God “in process of change”: Woolfian Theology and ,ilding on phenomenological studies of Woolf’s work, this chapter argues that Woolf’s religious thought emerges from situated and embodied experiences, challenging traditional theistic views that regard the spiritual self as immaterial, separated from the body and the world.

不能和解

Baffle

有毒

啪心儿跳动

,Virginia Woolf Reads “Dover Beach”: Romance and the Victorian Crisis of Faith in , the intersection of the Victorian crisis of faith with the cult of domesticity. Mrs. Ramsay, who embodies both Arnold’s despairing male speaker and a divine female substitute for a lost God, illustrates the dangers of seeking consolations for religious anxieties in romance.

诱骗

Woolf and Hopkins on the Revelatory Particular,d out in his poetry. In particular, her dramatization of individual moments of revelation in . follows the model set forth by Hopkins in his poems and theorized in his prose. Reading her authorial choices next to his reveals how much Woolf relied on Christian views of creation, gift, and transcendent experience.

Chronological

GORGE

,Woolf’s , and Dostoevsky: The Sacred Space of the Soul,points to an expression of spiritual value through both an individual impenetrable consciousness, what Woolf terms the “privacy of the soul”; and, most importantly, through a mysterious connectedness between Clarissa and Septimus.