| 书目名称 | Reflective Affective Dramaturgies of Participatory Theatre | | 副标题 | Larping Audiences in | | 编辑 | Sarah Hoover | | 视频video | | | 概述 | Proposes “reflective affective” dramaturgies of participatory theatre.Applies theoretical frameworks drawn from performance analysis.Combines theoretical rigor and practical artistic examples | | 图书封面 |  | | 描述 | .As the popularity and diversity of participatory theatre productions increase, scholarly and artistic attention toward the audience as agentive contributors and interpreters must keep pace. Simultaneously, the COVID-19 pandemic has added urgency to the collective artistic encounter and its value to individual and community health. This book proposes “reflective affective” dramaturgies of participatory theatre aimed toward incorporating participants’ reflections and affective responses as material in an emergent exploration of represented systems of power. The volume‘s interdisciplinary theoretical frameworks stem from performance studies discourses including feminist materialism, phenomenology and affect theory, bringing them together with larp scholarship on character/self performance, agency and emergence. Through its integration of the practical and theoretical, this work serves as an essential study for scholars, students and artists in theatre studies, performance studies, visual art studies, role-play studies, cultural studies, and philosophy.. | | 出版日期 | Book 2024 | | 关键词 | participatory theatre; live action role-play; performance studies; affect theory; reflection; dramaturgy; | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-64459-7 | | isbn_softcover | 978-3-031-64461-0 | | isbn_ebook | 978-3-031-64459-7 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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发表于 2025-3-21 17:21:27
