Titlebook: Reflective Affective Dramaturgies of Participatory Theatre; Larping Audiences in Sarah Hoover Book 2024 The Editor(s) (if applicable) and T

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The Potential Machine: Doing Thinking in Research and Performance,ng human experience, emphasising the exploration of creativity and generosity. The chapter outlines a theoretical framework grounding the book in performance philosophy, integrating poststructuralist thinking and affect theory. The chapter discusses the application of Deleuzian affect theory and phe

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,‘Am I that Kind of Person?’: Reflective Affective Dramaturgies from Concept to Production in ,. It delves into the influence of affective and relational forces on political discourse, particularly in the context of the post-truth era marked by disinformation campaigns and increasing polarisation. The production, inspired by the party game ‘Two Truths and a Lie’, invites participants to take

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Sarah Hoover courses in electrical, mechanical, chemical and production engineering and in applied physics. It will also provide a primer in specialist courses in instru­ mentation and control engineering at undergraduate and post­ graduate level. Furthermore, it covers much of the control theory encountered in the gradu978-1-4684-7453-4

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Sarah Hooverhomotopy continuation method. Since this global analysis of the root-locus map also plays a vital role in recent work on generic stabilizability ([3], [10]) and pole placement by output feedback ([6], [9]) and has never yet appeared in its full generality, we thought it would be useful to collect th

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Sarah Hooverhomotopy continuation method. Since this global analysis of the root-locus map also plays a vital role in recent work on generic stabilizability ([3], [10]) and pole placement by output feedback ([6], [9]) and has never yet appeared in its full generality, we thought it would be useful to collect th