Titlebook: Reading Iris Murdoch‘s Metaphysics as a Guide to Morals; Nora Hämäläinen,Gillian Dooley Book 2019 The Editor(s) (if applicable) and The Au

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,The Urge to Write: Of Murdoch on Plato’s Demiurge,s it is an allegory on the inspiration and limitations of the artist, or creative literary writer. Arguing that the two strands get in each other’s way, and that one is mistaken, I will defend and expand on ‘Plato’s portrait of the artist’.

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Book 2019. Yet in the scholarship on her philosophical work thus far it has often been left in the shade of her earlier work. This volume brings together 16 scholars who offer accessible readings of chapters and themes in the book, connecting them to Murdoch’s larger oeuvre, as well as to central themes in 2

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Reading ,: An Introduction,in all of this, and her historical sensibility, which up to recently has largely been overlooked by commentators. We also look at the textual features of the book which make it particularly challenging but also gratifying for the reader who has discovered its distinctive charms.

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The Gifford-Driven Genesis and Subliminal Stylistic Construction of , written, to a micro-view of how Murdoch creates the style and, despite herself—‘Good philosophy should have style but no tone’ she wrote in her journal on 18 September 1979—the tone, of her writing in her late, great, ..

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Fact and Value (, Chapter 2), explanations of human life the essential thing, value, must be built into our model or picture from the start if it is to be ultimately integrated into it at all, but that in doing so we may be accused of what Murdoch calls an unwarranted act of faith or intuition.