Titlebook: Race, Ethnicity and Publishing in America; Cécile Cottenet (Associate Professor) Book 2014 Palgrave Macmillan, a division of Macmillan Pub

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The Publication and Reception of The Southern Negro and the Public Library theories ignore an important part of the public library’s past, a period lasting more than 50 years when many public libraries refused service to African Americans or provided ser- vice in segregated buildings even as librarians were proclaiming their institutions ‘free to all’.

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Introductiony discovered ethnic book market. An excellent illustration of the canonization of African American writers is to be found in the catalogue of the Library of America, which today includes not only works by Frederick Douglass, Charles W. Chesnutt, James Weldon Johnson, James Baldwin, Richard Wright or

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Beyond Mainstream Presses: Publishing Women of Color as Cultural and Political Critiquerosexual women. Consequently, by the early 1980s, women belonging to other ethnic groups started to challenge the white bias of these publishing houses and founded their own presses specialized in the work of black, Chicana and Asian American women writers. This meant a more radical move within the

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The Roots of Cane: Jean Toomer in The Double Dealer and Modernist Networksis subsequent “disappearance” from the literary scene, Toomer revealed the shared contradictions in “black” and “white” American racial ideologies’ (Hutchinson 1993, p. 245). Upon its publi- cation by Boni & Live right in 1923, and through its subsequent ‘redis- coveries’ at later points in the New