找回密码
 To register

QQ登录

只需一步,快速开始

扫一扫,访问微社区

Titlebook: Race, Ethnicity and Publishing in America; Cécile Cottenet (Associate Professor) Book 2014 Palgrave Macmillan, a division of Macmillan Pub

[复制链接]
楼主: HEM
发表于 2025-3-23 10:58:02 | 显示全部楼层
Widening the Paradigm of American Literature: Small Presses in the Publishing and Creation of New Hiultural responses, either in English or Spanish. This new blood, if compared to other trade publishers, served to widen the paradigm of American literature in the 1970s and onwards. The Hispanic editors’ fresh decisive attitude reveals what had been hidden away by canon- making formalists. Furthermo
发表于 2025-3-23 14:44:06 | 显示全部楼层
Franco-American Writers: In-visible Authors in the Global Literary Marketters,. Franco-American writers. do not seem to be marketing ‘commodities’; they are rather the victims of an increasingly global market in cultural goods. And contrary to other writers from ethnic minorities, such as African Americans or Hispanics who can participate in the marketing of their margin
发表于 2025-3-23 18:08:51 | 显示全部楼层
Reacting to the White Publishing World: Zora Neale Hurston and Negro Stereotypesc minority characters with emotions and rest content with the stereotypes of the ‘exceptional’ Negro and the ‘quaint’. Taken on its own account, it is a vindication of minority rights and argues for a true reflection of what American society was like in the 1950s. It is an appeal to fight racist ide
发表于 2025-3-24 01:18:39 | 显示全部楼层
发表于 2025-3-24 04:38:19 | 显示全部楼层
The Roots of Cane: Jean Toomer in The Double Dealer and Modernist Networksrk of the Harlem Renaissance despite Toomer’s uneasy relationship with that movement, or as in dialogue with a modernist avant-garde typically perceived as if outside the racialist cultural sys- tems circulating in the USA in the 1920s and 1930s — but not as occupy- ing both historical categories si
发表于 2025-3-24 10:32:05 | 显示全部楼层
Popular Book Clubs and the Marketing of African American Best-Sellersn books in a market dominated by white publishers, and perhaps white readers.. Are African American books meant for a black public only, remaining a targeted product for an ethnic niche? Or do they reach a mainstream white public and if so, how? Is the racial factor then a liability that has to be o
发表于 2025-3-24 13:57:26 | 显示全部楼层
发表于 2025-3-24 16:47:08 | 显示全部楼层
Epilogue — An Experience in Literary Archaeology: Publishing a Black Lost GenerationMy task was to read about 20 novels a week and tell the publisher which one could indeed be added to the series and which were the 19 others that should not even have been submitted to us. Gallimard’s Série Noire is a very important series and part of its tremendous impact on the literary market is
发表于 2025-3-24 22:07:34 | 显示全部楼层
发表于 2025-3-25 01:52:51 | 显示全部楼层
The Poetry of Phillis Wheatley in Slavery’s Recollective Economies, 1773 to the Presentow often refer to as modern print culture, an era during which a new ideological emphasis on the relation of print and identity combined with the proliferation of advanced technologies of production and distribution of printed matter.
 关于派博传思  派博传思旗下网站  友情链接
派博传思介绍 公司地理位置 论文服务流程 影响因子官网 吾爱论文网 大讲堂 北京大学 Oxford Uni. Harvard Uni.
发展历史沿革 期刊点评 投稿经验总结 SCIENCEGARD IMPACTFACTOR 派博系数 清华大学 Yale Uni. Stanford Uni.
QQ|Archiver|手机版|小黑屋| 派博传思国际 ( 京公网安备110108008328) GMT+8, 2025-7-12 10:27
Copyright © 2001-2015 派博传思   京公网安备110108008328 版权所有 All rights reserved
快速回复 返回顶部 返回列表