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Titlebook: Queer/Adaptation; A Collection of Crit Pamela Demory Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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书目名称Queer/Adaptation
副标题A Collection of Crit
编辑Pamela Demory
视频video
概述Marks the first scholarly text to focus on the intersection of Queer theory and Adaptation theory.Theorises about the queerness of adaptation itself.Includes a variety of approaches such as textual an
丛书名称Palgrave Studies in Adaptation and Visual Culture
图书封面Titlebook: Queer/Adaptation; A Collection of Crit Pamela Demory Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to
描述This collection of essays illuminates the intersection of queer and adaptation. Both adaptation and queerness suffer from the stereotype of being secondary: to identify something as an adaptation is to recognize it in relation to something else that seems more original, more authentic. Similarly, to identify something as queer is to place it in relation to what is assumed to be “normal” or “straight.” This ground-breaking volume brings together fifteen original essays that critically challenge these assumptions about originality, authenticity, and value. The volume is organized in three parts: The essays in Part I examine what happens when an adaptation queers its source text and explore the role of the author/screenwriter/director in making those choices. The essays in Part II look at what happens when filmmakers push against boundaries of various kinds: time and space, texts and bodies, genres and formats. And the essays in Part III explore adaptations whose source texts cannot be easily pinned down, where there are multiple adaptations, and where the adaptation process itself is queer. The book includes discussion of a wide variety of texts, including opera, classic film, genre
出版日期Book 2019
关键词genre; film; queerness; Adaptation theory; textual analysis; authorship; production; Moonlight; audience; bod
版次1
doihttps://doi.org/10.1007/978-3-030-05306-2
isbn_ebook978-3-030-05306-2Series ISSN 2634-629X Series E-ISSN 2634-6303
issn_series 2634-629X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Emancipating ra, . (.). Transforming what had been a novella, a play, an opera, and a musical into a screenplay and relocating it from nineteenth-century Nagasaki to twenty-first-century Bangkok triggered numerous changes. But most profound were those resulting from the queering process, which, with the lovers n
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The Queer Aesthetics of Tom Ford’s Film Adaptations: , and adaptation of Austin Wright’s heteronormative thriller . (1993). Neither film is a literal translation from one medium to another, but the essence of each novel is present in the respective adaptations. By examining Ford’s adaptation process, this chapter highlights how a gay-identified director use
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: Beginning to Bloomth texts, Hannibal is a remorseless killer. However, Hannibal and Will’s tortured, queer relationship occupies the emotional and narrative center of Fuller’s series, a luxury not afforded to Buffalo Bill in Demme’s .. . consistently refuses easy delineations of heroism and villainy, instead embracin
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Adaptation, and Queer Time illustrates the queer potential of adaptation. Although the film received an Oscar for Best . Screenplay, this essay demonstrates the value of reading the film as an .. Doing so helps us to see the film’s essential queerness, which has to do not just with its focus on a gay character but with its c
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