Titlebook: Queer/Adaptation; A Collection of Crit Pamela Demory Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East AsiLessard makes the case that queer cultural forms and online fandoms should be seen as a driving force in East Asian media flows. Focusing on the queer-themed Korean drama, . and its subsequent formatting for Japanese and Taiwanese markets, Lessard traces the transnational, queer circuitries of adapt

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Queer Many Ways: Ulrike Ottinger’s , (1984), combines Oscar Wilde’s . with the three . films of 1922, 1933, and 1960 (director Fritz Lang) and makes references to even more texts and histories. It includes multiple approaches to queer adaptation: it queers straight texts, reaches out to a queer viewer, expresses queer sensibilities and exper

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Willful Infidelities: Camping revolution as camp was emerging as a more visible and pervasive representational trend. The first is Radley Metzger’s . 2000 (1969), a film that helped secure Metzger’s reputation as an auteur of “highbrow” erotica for mixed-sex audiences. The second is the Ridiculous Theatrical Company’s . (1973) b

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The Queer Aesthetics of Tom Ford’s Film Adaptations: , and s cinematic grammar to create films that underscore both emotional connection and alienation—a queer aesthetic. Ford’s fascination with classic Hollywood cinema and his artistic sense as a queer filmmaker allow him to involve his audience in stories that speak to queer sensibilities but make them relevant to the general spectator.

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Adaptation, and Queer Timeonstruction of time and space, its resistance to—and revision of—conventional narrative patterns. The analysis also suggests a strategy for approaching other adaptations—not as a contest between two competing works to see which one is more authentic, but as a collaboration among artists, readers, commentators, spectators.