Titlebook: Nachhaltigkeit und organisationales Lernen; Eine transdisziplinä Regina Lülfs Book 2013 Springer Fachmedien Wiesbaden 2013 Nachhaltigkeit.O

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书目名称Nachhaltigkeit und organisationales Lernen影响因子(影响力)




书目名称Nachhaltigkeit und organisationales Lernen影响因子(影响力)学科排名




书目名称Nachhaltigkeit und organisationales Lernen网络公开度




书目名称Nachhaltigkeit und organisationales Lernen网络公开度学科排名




书目名称Nachhaltigkeit und organisationales Lernen被引频次




书目名称Nachhaltigkeit und organisationales Lernen被引频次学科排名




书目名称Nachhaltigkeit und organisationales Lernen年度引用




书目名称Nachhaltigkeit und organisationales Lernen年度引用学科排名




书目名称Nachhaltigkeit und organisationales Lernen读者反馈




书目名称Nachhaltigkeit und organisationales Lernen读者反馈学科排名

织物

n contributor draws on the kind of material in ‘The Lantern Bearers’, . (1892), in which Stevenson records his delight in exploring, climbing, picnicking, angling, exploring tidal pools, braving the icy water for a bathe, and learning to smoke. The events described here occurred on the North Berwick

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Regina Lülfsich Have Influenced Me’, ‘a book which tumbled the world upside down for me, blew into space a thousand cobwebs of genteel and ethical illusion, and, having thus shaken my tabernacle of lies, set me back on a strong foundation of all the original and manly virtues’ (. 64).

发出眩目光芒

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Regina Lülfsding to this model of literary evolution, was the undeveloped form of realism. Thus realism became securely associated with the contemporary, the rational, the adult, and the literate, while romance, increasingly a residual cultural form, bore connotations of the primal, the instinctual, the immatur

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Regina Lülfs mythology and physiological aesthetics, as practised by Andrew Lang and Grant Allen. Similarly, contemporary writers often expressed evolutionist understandings of creativity: for Kipling, the artist’s imagination represented his memory of past lives and, for Wilde, ’concentrated race-experience’.

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mythology and physiological aesthetics, as practised by Andrew Lang and Grant Allen. Similarly, contemporary writers often expressed evolutionist understandings of creativity: for Kipling, the artist’s imagination represented his memory of past lives and, for Wilde, ’concentrated race-experience’.

OFF

978-3-658-00304-3Springer Fachmedien Wiesbaden 2013

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