Titlebook: Metamorphosis; Creative Imagination Anna-Teresa Tymieniecka Book 2004 Springer Science+Business Media Dordrecht 2004 Immanuel Kant.Plato.ae

尊敬

Fugitive Realities: Konrad Fiedler the production, reproduction and simulation of realities. An assessment of the effects media may or may not have on reality depends upon one’s understanding of reality’s modalities: it seems important to differentiate whether we are watching reality’s metamorphosis or whether we are metamorphosing,

十字架

The Primacy of Gesture: Phenomenology and the Art of Chinese Calligraphywing-subjects. It ‘appeals’ to us, as it were, in its . and . as the material expression of an ‘interlocutor’ from the past. Interpreted as gestural expression, it elicits . 知己‘recognition of the true self of the writer. This is often referred to in traditional writings on calligraphy as . 心印, or ‘i

laparoscopy

Gestural Abstraction and the Fleshiness of Paintect viewing the object from afar, of vision as the dominant way of knowing the world, and of the gaze as appropriating its object and as the means of dominating the other. The critique has been mistakenly applied to painting revealing a misunderstanding of what painting is — for painting is not mere

Dissonance

Mystic

Life and Human Struggle in ,be overwhelmed by fate or by the unfair social obligations and not be able to fight against them; in other interpretations, “tragic” is to have a brilliant intelligence or a great feeling but to live in a mediocre environment; in yet others, to top it all, “tragic” is to be bored by comfort and leisure that make any effort unnecessary.

PLUMP

gain631

羊栏

Fly Thought on Golden Wings: The Transforming Power of Music in Verdi’s ,ers led by Arturo Toscanini singing “Va pensiero sull’ali d’orati” (“Fly thought on golden wings”) from Verdi’s opera ., written nearly sixty years previously. The accounts of this occasion report that the crowd of some 300,000 people spontaneously repeated the chorus.

最有利

松果

Defining Boundaries in Theatrical and Ceremonial Space in the Middle Agesn the interpretation of the medieval theater seems to be gaining momentum, let me contribute yet again to this interest. This time, however, I am enlarging the scope of my investigation by looking at early English drama in the context of the treatment of space in medieval ceremonies. Defining bounda