Titlebook: Media, Performative Identity, and the New American Freak Show; Jessica L. Williams Book 2017 The Editor(s) (if applicable) and The Author(

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g have authored the 82 chapters of the series.This herculean.Genome Mapping and Molecular Breeding in Plants. presents the current status of the elucidation and improvement of plant genomes of economic interest. The focus is on genetic and physical mapping, positioning, cloning, monitoring of desira

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Introduction,ak show than the films, documentaries, performers, and television shows examined throughout the book—and it is this reclamation that begins to thread all of the case studies together. The chapter demonstrates how the concept of new American freak show is characterized by mediation and a collision be

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A New American Freak Show,latter, from antiquity through its decline in the early twentieth century. The chapter develops a theoretical framework that includes a discussion about the viewer’s relationship to the freak show, and how and why we look at unusual bodies. Because this project exists at the intersection of many dif

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,Reality, Normality, Sexuality: “Authentic” Portrayals of the Freak,in an uncensored and unmonitored way, enabling them to experience the intimacy of freak bodies by providing access to their daily lives. The chapter looks at TLC’s lineup of body-obsessed reality shows, the documentary ., and the docudrama . as examples of mediated real-life representations of the f

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Freak Pornography and the Cultural Politics of Disabled Sexuality, the freak show in Chap. . by examining explicit depictions of disabled sexuality via disability pornography and the documentary . . .. The chapter finds that the lack of mediation in amateur pornography brings the viewer closer to the freakish body than ever before and that because the viewer is st

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,Born This Way? Pop Culture’s Collision with the Freak of Nature, videos and live performances of Marilyn Manson and Lady Gaga it argues that physical ability, sexuality, and gender identities help shape cultural constructions of freakishness and therefore cannot be separated from freakish bodies. The chapter’s examinations reveal the hierarchy that exists within

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A New American Freak Show,ferent areas—including cultural studies, film and media studies, and gender and disability—the chapter outlines the key terms and concepts from each area that are immediately relevant to the book’s argument.