| 书目名称 | Media, Performative Identity, and the New American Freak Show | | 编辑 | Jessica L. Williams | | 视频video | | | 概述 | Explores the history of the freak show and how it was transformed through the emergence of media and explores the ways in which moving image media transmits and contextualizes, reinterprets, and appro | | 图书封面 |  | | 描述 | This book traces how the American freak show has re-emerged in new visual forms in the 21st century. It explores the ways in which moving image media transmits and contextualizes, reinterprets and appropriates, the freak show model into a “new American freak show.” It investigates how new freak representations introduce narratives about sex, gender, and cultural perceptions of people with disabilities. The chapters examine such representations found in horror films, including a prolonged look at .Freaks. (1932) and .The Texas Chainsaw Massacre. (1974), documentaries such as .Murderball. (2005) and TLC’s .Push Girls. (2012-2013), disability pornography including the pornographic documentary .Sick: The Life and Death of Bob Flanagan Supermasochist. (1997), and the music icons Marilyn Manson and Lady Gaga in their portrayals of disability and freakishness. Through this book we learn that the visual culture that has emerged takes the place of the traditional freakshow but opens new channels of interpretation and identification through its use of mediated images as well as the altered freak-norm relationship that it has fostered. In its illumination of the relationship between normal an | | 出版日期 | Book 2017 | | 关键词 | Freakish Bodies; American Freak Show; Media Representation of Disability; Spectatorship and Mass Media; | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-66462-0 | | isbn_softcover | 978-3-319-88250-5 | | isbn_ebook | 978-3-319-66462-0 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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发表于 2025-3-21 16:12:04
