Titlebook: Managing Residential Childcare; A Managed Service Richard Whipp,Ian Kirkpatrick,Martin Kitchener Book 2005 Palgrave Macmillan, a division o

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ative solutions. The book will interest academics, practitioners and policy makers who work in the public sector, as well as their counterparts from outside who are concerned with the issues of control, implementation, professionals and markets.978-1-349-51804-3978-0-230-50612-1

Debility

The Management of Child Placement,ften these are treated as ‘negotiable’ (Berridge 1985: 81). In many cases, residential staff groups have found themselves responding to a succession of unplanned admissions and therefore unable to specialise or improve services (Dartington 1996b; Sinclair and Gibbs 1996; Whittaker .. 1996).

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Richard Whipp,Ian Kirkpatrick,Martin Kitchenerg new voices and gleaning fresh perspectives on European collections from source communities. Through recording and questioning the aesthetic responses and notions of authenticity gathered through collaborative and participatory field work, we propose a methodology for the future of ethnographic mus

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Richard Whipp,Ian Kirkpatrick,Martin Kitchenerums popularised tea as a ‘national’ drink in an attempt to create a tradition and culture of tea drinking in the subcontinent. In particular, visual representations of tea in print advertisements from an English daily like the . in the 1940s are used to demonstrate how topical contexts and exigencie

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Richard Whipp,Ian Kirkpatrick,Martin Kitchenerustrates the degree to which the subjects of migration and “dislocation” preoccupy postcolonial thought. More specifically, Homi Bhabha advocates the need to focus on the processes of cultural hybridity, by which the individual in a postcolonial or transnational setting negotiates a composite form o

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Richard Whipp,Ian Kirkpatrick,Martin Kitchenery—threaten to overtake personal freedom.”. Debra Shostak expresses similar ideas in her Bakhtinian study of Roth when she argues that “history—especially American history—recurs in Roth’s work of the 1990s with a vengeance as the principle that shapes self and other and compels storytelling.”. Howev

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