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Titlebook: Literary and Cultural Relations between Brazil and Mexico; Deep Undercurrents Paulo Moreira Book 2013 Paulo Moreira 2013 America.Amerikanis

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发表于 2025-3-21 16:30:45 | 显示全部楼层 |阅读模式
书目名称Literary and Cultural Relations between Brazil and Mexico
副标题Deep Undercurrents
编辑Paulo Moreira
视频video
丛书名称Literatures of the Americas
图书封面Titlebook: Literary and Cultural Relations between Brazil and Mexico; Deep Undercurrents Paulo Moreira Book 2013 Paulo Moreira 2013 America.Amerikanis
描述Joining a timely conversation within the field of intra-American literature, this study takes a fresh look at Latin America by locating fragments and making evident the mostly untold story of horizontal (south-south) contacts across a multilingual, multicultural continent.
出版日期Book 2013
关键词America; Amerikanische Literatur; fiction
版次1
doihttps://doi.org/10.1057/9781137377357
isbn_softcover978-1-349-47896-5
isbn_ebook978-1-137-37735-7Series ISSN 2634-601X Series E-ISSN 2634-6028
issn_series 2634-601X
copyrightPaulo Moreira 2013
The information of publication is updating

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Ronald de Carvalho (and Carlos Pellicer): Modern Poets of America,rom 1884 to 1911. Because of that, the Ateneo de la Juventud has become a herald (to a great extent by its members’ own account) of the new Mexico that came into being with the Revolution, even though their relationship with the old and new regimes was ambiguous.
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,Why and for What Purpose Do Latin American Fiction Writers Travel? Silviano Santiago’s , and ,e baroque games of mirrors that his homage to Juan Rulfo was a short story set in Colombia, not in Mexico. The great Mexican novel in Brazilian literature was to be written in 1995 by Silviano Santiago, a fellow . (born in the the state of Minas Gerais as was Guimarães Rosa).
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The Delicate Crime of Beto Brant and Felipe Ehrenberg,th documentaries, such as relatively small, mobile crews, real locations, and nonactors. However, unlike most of his peers, Brant is willing to experiment beyond the conventional model of the well-made plot that has marked the Brazilian production, preoccupied with recovering the ground lost to Hollywood in the national box office.
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Undercurrents, Still Flowing, the margins of the Paraguaçu river in the state of Bahia. Its name (originally in Portuguese) came from “two or three drunk guys” who amused themselves by shouting out loud “turista maluco!” while Orozco arranged a few unsalable oranges over the stalls of the deserted market and started snapping photos (., 189).
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