Titlebook: Literary Studies and the Philosophy of Literature; New Interdisciplinar Andrea Selleri,Philip Gaydon Book 2016 The Editor(s) (if applicable

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慌张

Analytic Philosophy of Literature: Problems and Prospectser disciplines that can be seen in the study of narratives, for instance. On the other hand, there is a—mostly implicit—disagreement about the very aims and methods of the analytic approach. This essay explores the aims and methods, and the problems and prospects, of analytic philosophy of literatur

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‘I Will Draw a Map of What You Never See’: Cartographic Metaphor in Wittgenstein’s ,oosing straight or cross-country routes, sketching landscapes, reading maps, and so on. This chapter discusses the implications of using these images in the service of philosophical argument, through both historical and literary analysis. Drawing on poet Kei Miller’s ., ‘cartographic’ as a mode of l

Kernel

The Pleasures of Solipsism for Writers and Philosophersism. The desire to distance the world frequently belongs to worldly subjects. But whether a world-weary protagonist, a scholar immersed in the world’s primordial appearances, or the historically persecuted, none can outrun the ‘interworld’, what Merleau-Ponty philosophises as the intersubjective dim

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To Tell What Happened as Invention: Literature and Philosophy on Learning from Fictionn/non-fiction distinction. Narrative non-fiction consists of an . core—a speech act governed by a norm requiring truth for its correctness. Fiction consists of a core of .—a speech act not governed by a norm requiring truth for correctness, but requiring for correctness that interesting imaginings a

Jocose

Poetic Utterances: Attuning Poetry and Philosophytention may guide and be guided by philosophical reflection on difficult cases. The chapter focuses on the use that poets make of a particular phrase-type: first person present indicative active, where the verb names the act performed in uttering it. Complexities arise where poets play with this for

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What Difference (If Any) Is There Between Reading as Fiction and Reading as Non-fiction? difference in the experience of reading fiction and reading non-fiction. It concludes that the difference is overstated; that the reality is complicated, and that a reader’s experience is a function of purposes the author had in writing and the reader has in reading, and that (as Stacie Friend has

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Ballad

Literary Examples in Analytic Aesthetics: The Claim of the Empiricalosophical ideal of analysing discrete concepts in a clear fashion and the critical ideal of doing justice to the works themselves. This chapter argues that to gain in neatness by losing in descriptive power is a bad bargain for philosophy, by analysing some instances in which work in aesthetics has

Hemodialysis

What Do We Do with Words? Framing What Is at Stake in Dealing with Literatureand philosophy as two different discontinuous intellectual enterprises. We argue that the main difference is not to be found between philosophy and literature but, on the one hand, literature, and, on the other, all theoretical discourses defining themselves as ‘philosophy’ or ‘literary theory’—and