Titlebook: Landscape and the Environment in Hollywood Film; The Green Machine Ellen E. Moore Book 2017 The Editor(s) (if applicable) and The Author(s)

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Stranger than (Science) Fiction: Environmental Dystopia in Hollywood Sci-Fi,ed to be overpopulation, soil depletion, and loss of biodiversity; in . , it is suggested to be pollution; in . , it is radioactive fallout that has devastated the land. The chapter focuses on the potential causes for environmental problems while also placing these issues in environmental and politi

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The Lone Danger: Resource Scarcity in the Western,l issues. Because both films focus to varying degrees on cattle ranching and water rights, the chapter provides environmental context for not only cattle ranching but also for drought in the American West. Woven into these films (as with most Westerns) is the theme of developing and establishing man

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,“Super” Green: Sustainable Superheroes Tackle the Environment, are provided while recognizing the superhero form as a subset of the “action blockbuster.” The three films are analyzed in concert for themes relating to Rutherford’s concept of . , recognizing that these texts are less focused on defining environmental problems as much as they emphasize finding th

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Conclusion,mental problems. The focus here is broad, examining how much influence genre has on the portrayal of environmental issues, while also recognizing another influential source: the Hollywood industry itself. While it is true that one can place responsibility on Hollywood to create evocative stories tha

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Ellen E. Moorepunkt (kultur-)soziologischer Forschung. Die Soziologie der Emotionen hat seit den 1970er-Jahren ., ., . und . Emotionstheorien hervorgebracht, deren Verschränkung für eine soziologisch angemessene Untersuchung von Gefühlen unerlässlich ist. Emotionen sind wesentlich mit habituellen, inkorporierten

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