Titlebook: Landscape and the Environment in Hollywood Film; The Green Machine Ellen E. Moore Book 2017 The Editor(s) (if applicable) and The Author(s)

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Ellen E. Mooree modernen massenmedialen und -kulturellen Phänomene entstanden sind. Nach dem Scheitern der völkischen „Soziologie der japanischen Kultur“ mit dem Zusammenbruch des totalitären Regimes – damit ist das Regime nach dem Inkrafttreten des Gesetzes zur nationalen Generalmobilmachung von 1938 bis zur bed

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,Introduction: Greening the Machine—Hollywood Takes an Interest in the Environment,that the underlying function of genre (with its commercial drive) is to soothe and flatten instead of spur into action. Finally, this chapter provides a brief description and layout of the chapters to follow, as organized by genre.

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Book 2017nce exerted by media consolidation and the drive for profit on Hollywood’s portrayal of the natural landscape, which ultimately shapes how environmental problems and their solutions are presented to audiences. Analysis is framed by a consideration of how cultural studies can make more theoretical an

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The Lone Danger: Resource Scarcity in the Western,tle ranching but also for drought in the American West. Woven into these films (as with most Westerns) is the theme of developing and establishing manhood, and thus this chapter examines the complex intersection of masculinity and environmental issues.

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Cradle to Crave: The Commodification of the Environment in Family Films,vironmental problems and their solutions. Here, silence can be ideological, and may relate to the positioning of young audiences as consumers instead of citizens. The portrayal of landscape also is significant, for it can either serve to raise alarm about environmental issues or to assuage concern by asking “What problem?”

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