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Titlebook: Joseph Conrad and the Reader; Questioning Modern T Amar Acheraïou Book 2009 Amar Acheraïou 2009 aesthetics.Autorschaft.fiction.Narrative.Br

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Conrad and the Construction of the Reader: Tension between Democratic Vision and Aristocratic Leaninconscious, revealing intricate relationships between implied author and reader. However, we would need also to clarify that Conrad’s works are not as overtly reader-oriented as could, for instance, be said of the fictions of Fielding, Sterne, or Balzac. These three writers tend to establish close re
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Narrative Self-Consciousness and the Act of Reading: Examining , through the Lens of the Poetics of acts of solidarity. This intersubjective inclination reflects Conrad’s promotion of a participative poetics that tends to a shared vision and reciprocal understanding with his audience.. Conrad’s participative poetics is the focus of the present chapter. It is examined within a broad literary and c
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Conclusionue with ancient as well as modern author and reader theories. In framing these various delicate issues, Conrad engages in a dynamics of continuity and rupture, imitation and challenge, borrowing and renewal. Conrad’s writer figure is certainly different from the all-knowing, omnipresent ancient Gree
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Conceptualizing Arctic Documentary: Combining Scientific Authority and the Interests of Broadcasterspes facilitate or hinder? What are the central tropes and facts comprising the film’s narrative, and to what extent are they attuned to the ongoing global displacement of water and ice? This chapter critically explores these questions using the arguments of media, film and cultural studies.
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Book 20032nd editionrung sowie zahlreiche Anregungen für die eigene Entscheidungsfindung..."Insgesamt bietet das Werk eine hervorragende und leicht verdauliche Einführung in diese sehr praxisrelevante Materie; alle angesprochenen Leserkreise werden dieses Buch mit großem Gewinn lesen, vor allem diejenigen, die vom Betr
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