Titlebook: Joan of Arc and Spirituality; Ann W. Astell,Bonnie Wheeler Book 20031st edition Palgrave Macmillan, a division of Nature America Inc. 2003

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Joan of Arc and Spiritualityt. This intermingling is one of the more unusual and widely noted characteristics of Joan of Arc (1412?—31). Joan of Arc is an unusual saint. Canonized in 1920 as a virgin, she died in 1431 as a condemned heretic. Uneducated and youthful, she obeyed “voices” that counseled her to pursue an unprecede

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The Virgin Mary and the “Voices” of Joan of Arc to imagine that virago [Joan] and the humble Handmaid [Mary] together.” Many scholars who have taken a more considerate view of Joan’s spirituality seem to share my colleague s spontaneous reaction. Although, as Renée Grisel wrote long ago, “Joan participated from her infancy in the cult of the Vir

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Saint Joan and Confession: Internal and External Forumthe realm of sacramental confession, where there was strict confidentiality between confessor and penitent. The penalty for any priest who broke this sacramental seal was life imprisonment, a sanction imposed at the Fourth Lateran Council in 1215.. The external forum encompassed the various ecclesia

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Joan of Arc and ,: A Spirit of Freedom in the Lawangerous requirements that demanded radical forms of active service in the world. Joan’s unique moral commission to transform the injustices of her society, a vocation of public leadership that she accepted through a pri-vate, spiritual endowment, persistently posed her with unique challenges regard

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Jeanne and the Clergyas straightforward as could be, the historical setting of her time and place have given her picture a complexity in which disparate strands need to be sorted out. Here I attempt to understand her relation with the priests, both diocesan and religious, whom she met at the various stages of her life.

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Gerson Judging Women of Spirit: From Female Mystics to Joan of Archope to challenge the legitimacy of this view and show in what ways it can be found wanting.. The extremely shaky foundations on which this two-part notion is based, which have gone largely unexamined by purveyors of the cliché, will be explored in what follows. It is principally the first part of t

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A Reconsideration of Jean Gerson’s Attitude Toward Joan of Arc in Light of His Views on Popular Devotwo main points. First, one cannot speak about Gerson’s general mistrust of women or feminine spirituality but rather about his doubts concerning institutionalized feminine religiosity and extreme, improvised, and bizarre religious practices.. Second, an analysis of Gerson’s attitude toward forms of

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Jean Gerson, the Shulammite, and the Maid to look at Gerson’s under-standing of Joan of Arc without getting bogged down in what has been called “a morass of scholarly debate,”. I will begin with a work that there is no doubt comes from his pen, his commentary on the Song of Songs, ., which according to his brother Jean the Celestine was co