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Titlebook: Jean-Paul Sartre; Politics and Culture Michael Scriven Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited 1999 art.Ar

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楼主: arouse
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Ideological Art Criticism: Sartre and Giacomettiapital in the aftermath of the Liberation.. The primary thrust of the exhibition was accordingly to place the sculpture and painting of Giacometti, Dubuffet, Picasso, Richier, Hélion, Gruber, Van Velde, Michaux, Fautrier, Artaud and Wols within the effervescent ideological and artistic context of th
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Mediated Politics: Sartre and Chomsky Revisited ideological views were reflected and refracted in specific cultural forms; initially in the traditional form of theatrical dramatisation, subsequently in the slightly more subversive ideologically critical art essay form. As I indicated at the outset of this book, the principal objective is not com
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Postscript: A Final Word on Sartrellingness to engage in self-criticism, this commitment to seek out new ways of interpreting the world, this refusal to envisage the status quo as unchangeable, this resilient conviction that self-renewal and self-improvement are always a human possibility, would appear to me to be at the heart of th
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Sartre and the Nizan Affair: The Cold War Politics of French Communismon has the makings of a promising novel, but a novel veering either towards the romantic or the pessimistic depending on one’s view of the two individuals concerned and of the intellectual climate of the time.
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Book 1999t to traditional forms of cultural expression. A series of case-studies centred on Gaullism, communism, Maoism (Part 1), the theatre, art criticism and the media (Part 2), illustrate the continuing relevance and appeal of Sartre to the contemporary world.
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