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Titlebook: Jean-Paul Sartre; Politics and Culture Michael Scriven Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited 1999 art.Ar

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书目名称Jean-Paul Sartre
副标题Politics and Culture
编辑Michael Scriven
视频video
图书封面Titlebook: Jean-Paul Sartre; Politics and Culture Michael Scriven Book 1999 Palgrave Macmillan, a division of Macmillan Publishers Limited 1999 art.Ar
描述This book offers an assessment of Sartre as an exemplary figure in the evolving political and cultural landscape of post-1945 France. Sartre‘s originality is located in the tense relationship that he maintained between deeply held revolutionary political beliefs and a residual yet critical attachment to traditional forms of cultural expression. A series of case-studies centred on Gaullism, communism, Maoism (Part 1), the theatre, art criticism and the media (Part 2), illustrate the continuing relevance and appeal of Sartre to the contemporary world.
出版日期Book 1999
关键词art; Art criticism; bibliography; communism; concept; drama; French; Jean-Paul Sartre; knowledge; landscape; m
版次1
doihttps://doi.org/10.1007/978-1-349-27564-9
isbn_ebook978-1-349-27564-9
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1999
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Initial Thoughts enterprise. This, my last book on Sartre, is above all else an attempt to capture the defining characteristics of a life and a work that in my opinion set Sartre apart from other twentieth-century French writers and intellectuals. In my two previous books on Sartre, one centred on biography,. the o
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Sartre and the Nizan Affair: The Cold War Politics of French Communismr, and had he experienced the socio-political realities of post-Liberation France. In many ways this process of speculation and fictional reconstruction has the makings of a promising novel, but a novel veering either towards the romantic or the pessimistic depending on one’s view of the two individ
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Sartre and the Politics of Violence: Maoism in the Aftermath of May 1968n other words, in societies in which scarcity predominates, that is to say where insufficient material resources are available to satisfy the needs of the population as a whole, human relations are based on what he refers to as ‘negative reciprocity’. The Other is a constant threat to the self insof
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Sartre and Commitment: Reinventing Cultural Forms a definitively finished art object. In true existential fashion, culture was always conceived as a process of continual invention and re-invention. Whether it was a question of artistic creativity, of critical interpretation or of public consumption, the overriding principle remained the need to ca
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