Titlebook: Indigenous Plots in Twenty-First Century Latin American Cinema; Maria Chiara D‘Argenio Book 2022 The Editor(s) (if applicable) and The Aut

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Necropolitics, Activism and Pedagogy: , (2008),et of film traditions as well as within Bechis’ own personal and professional trajectory; unlike in the case of the films examined in the previous chapters, however, such an approach leads me to consider . as part, not only of the recent trend I am mapping in this book, but of a broader circuit of films traditions and socio-political processes.

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Necropolitics, Activism and Pedagogy: , (2008), of cinematic pedagogical activism that interrogates Western imaginaries of indigeneity, informs the public as well as denouncing the necropolitics which threatens Guaraní-Kaiowá life and enacts a type of activism informed by an empathetic and political alliance with the Indigenous actors. In that s