Titlebook: Indigenous Plots in Twenty-First Century Latin American Cinema; Maria Chiara D‘Argenio Book 2022 The Editor(s) (if applicable) and The Aut

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Coevalness, Indigenous Modernity and Indigenization: , (2016),e also engaging with contemporary processes of Indigenization of media. I draw on formal analysis as well as on an interview with the filmmaker to propose a threefold argument: first, I explore the decolonial potential of the affective relationship that informed the film’s production and the concept

摘要

The Power of Aesthetics: , (2017), , (2017), , (2019),state support for, films with Indigenous plots. In this last chapter, the analysis of ., by Óscar Catacora, widely advertised as Peru’s first film entirely spoken in Aymara, and a number of remarks on other Peruvian recent film productions, including Melina León’s ., will allow me to retrace some of

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Dissonance

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Maria Chiara D’Argenioetween differential expression of miRNAs and the cell condition. Such biological devices have shown potential to become a valuable tool in cancer treatment as a new type-specific cell targeting approach. So far, only single-circuit classifiers were designed in this context. However, reliable designs

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