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Titlebook: Indigenous African Popular Music, Volume 2; Social Crusades and Abiodun Salawu,Israel A. Fadipe Book 2022 The Editor(s) (if applicable) an

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楼主: Jefferson
发表于 2025-3-23 11:26:24 | 显示全部楼层
Mainstreaming Afro-hip-hop Music in Redressing the Spread of Infodemics on COVID-19 Using the conceptual research method and anchored on the agenda setting and framing theory, the chapter argues for the engagement of indigenous music especially Afro-hip-hop in the spread of authentic and verifiable information to educate, mobilize and set agenda for the society in the curtailment of COVID-19.
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Extra-Mundane Communication in Ayinla Omowura’s Music: Exploring Connections Between a Tool and an A of traditionalist, priest, prophet, seer, activist, ombudsman, devil advocate, father—all of which Ayinla Omowura signified as an agent who employed indigenous . in his society. Consequently adopted textual research design because we regarded the artiste’s songs as texts, which we listened to, tran
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Popular Music, Political Mobilisation and Grandstanding: An Analysis of Maskandi in Legitimisation oal communication for Zuma and played a role in public diplomacy for South Africa. The last category deals with music that encouraged Zulu ethnic nationalism and hegemony. It is concluded that some maskandi music has become an antidemocratic vehicle that uncritically legitimatises oppression and corr
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Singing Democracy and Politics in Post-Independence Zimbabwe: A Critical Discourse Analysis of Self-gical-Sungura can be truncated from both porous mains as an emergent daughter genre and that this genre is inwardly militant in its promulgation of democracy and socio-political pluralism. The genre acquires a more conciliatory and euphemistic censure for a rhetorical function promoting harmony and
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Indigenous African Artistes as Social Critics: A Study of Evangelist Bayo Adegboyega of Yoruba Extrahis songs in Yoruba was prominent among them. Using selected albums of Evangelist Bayo Adegboyega as data, this study examines how he employed his music as an instrument, not only for evangelism but also for social crusade, political reengineering and moral advocacy. This study recommends that gospe
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State-Minded Praise Music Culture Through Electoral Nigerial traditions and praise music in Africa, few studies have considered the practice of praising politicians as a distinct genus. In so doing, therefore, the focus of the analysis is on Nigeria where political leaders have procured popular musicians since independence through military rule, and now. A
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