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Titlebook: Indigenous African Popular Music, Volume 2; Social Crusades and Abiodun Salawu,Israel A. Fadipe Book 2022 The Editor(s) (if applicable) an

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发表于 2025-3-21 18:17:54 | 显示全部楼层 |阅读模式
书目名称Indigenous African Popular Music, Volume 2
副标题Social Crusades and
编辑Abiodun Salawu,Israel A. Fadipe
视频videohttp://file.papertrans.cn/464/463600/463600.mp4
概述Unravels African myriad cultural backgrounds.Catalogues Africa’s pre-and post-independence realities.Exposes digital technology influence on African music
丛书名称Pop Music, Culture and Identity
图书封面Titlebook: Indigenous African Popular Music, Volume 2; Social Crusades and  Abiodun Salawu,Israel A. Fadipe Book 2022 The Editor(s) (if applicable) an
描述.This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the peo
出版日期Book 2022
关键词African indigenous language media; African philosophies; African artists; dissidence; democracy; Afro-hip
版次1
doihttps://doi.org/10.1007/978-3-030-98705-3
isbn_softcover978-3-030-98707-7
isbn_ebook978-3-030-98705-3Series ISSN 2634-6613 Series E-ISSN 2634-6621
issn_series 2634-6613
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-21 22:18:50 | 显示全部楼层
978-3-030-98707-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-22 06:47:41 | 显示全部楼层
Abiodun Salawu,Israel A. FadipeUnravels African myriad cultural backgrounds.Catalogues Africa’s pre-and post-independence realities.Exposes digital technology influence on African music
发表于 2025-3-22 12:01:50 | 显示全部楼层
Pop Music, Culture and Identityhttp://image.papertrans.cn/i/image/463600.jpg
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发表于 2025-3-22 19:22:30 | 显示全部楼层
Nigerian Indigenous Music as an Instrument of Social Crusade and Enlightenment: An Appraisal of Selewurebe exponent, Dauda Epo Akara, and Dadakuada maestro, Odolaye Aremu, in some of their music albums advocated for good governance, condemned social vices and promoted moral values. This chapter analyses some of these albums. The agenda setting and social responsibility were adopted as the theoretical framework.
发表于 2025-3-22 23:43:17 | 显示全部楼层
Music and Political Protests in Africa: Analysis of Selected Fela Anikulapo-Kuti’s Songs in Nigeriaposively selects “Sorrow, Tears and Blood” and “Authority Stealing” for analysis. The chapter concludes, among other things, that the selected protest songs ultimately awakened the people’s consciousness to repressive governments and the menace of treasury looting by those in positions of authority.
发表于 2025-3-23 04:25:41 | 显示全部楼层
Why Not Call a Spade a Spade? Unpacking Paul Matavire’s Gender PhilosophyAfrican societies and tends to confuse researchers who attempt to study Paul Matavire’s art altogether. The chapter hopes to provide knowledge on the nature of Matavire’s gender philosophy in his songs as a gateway to acknowledging notions of negotiating gender spaces in a mannish society.
发表于 2025-3-23 07:35:31 | 显示全部楼层
Book 2022e role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous Africa
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