Titlebook: History and Speculative Fiction; John L. Hennessey Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024 Science Fiction.

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978-3-031-42237-9The Editor(s) (if applicable) and The Author(s) 2024

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,Introduction to History and Speculative Fiction: Essays in Honor of Gunlög Fur,teratures of cognitive estrangement.” Both can help expose invisible problematic aspects of their authors’ and readers’ societies and suggest possible solutions or futures. Summarizing relevant existing literature and theoretical perspectives, the chapter suggests the usefulness of the postcolonial

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Concurrences and the Planetary Emergency: Ursula K. Le Guin in the Capitalocene manipulating psychologist. The chapter analyzes these layered futures with the help of Gunlög Fur’s concept . (2017) and Kyle Whyte’s observation that Western speculative writing frequently leaves humanity in dystopian and postapocalyptic futures “that erase Indigenous peoples’ perspectives” (2017,

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How [Not] to Run a Colony in the Distant Past and the Future us, but they certainly can be pushed out of the way. Such was the case in England’s first attempts in North America 400 years ago, and now fictional accounts of colonization in outer space see humans repeating their mistakes. This chapter uses pamphlets, letters, and official documents written in t

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‘I Get to Exist as a Black Person in the World’: , as Speculative Romance and Alternate History on Sed by the recent hypothesis that Queen Charlotte was Black, and an unusual number of Black actors were cast in roles that both fictionally and historically have been predominantly reserved for white actors. This article explores the hypothesis’ impact on the adaptation in the intersection of romance

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