Titlebook: Hamlet after Deconstruction; Aneta Mancewicz Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springe

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https://doi.org/10.1057/9781137339386ree versions discussed in the Chapters 3–5 depend on a paradox: they appear to complement ., yet a closer analysis reveals that their main aim is to question their source. This paradox, inherent to the nature of supplement, defines the ways in which these three adaptations approach the source and de

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The Political Economy of Asian Regionalismcal approach is the most noteworthy: action and inaction, memory and amnesia, as well as logic and absurdity. It is through these contrasts that Stoppard portrays the inability of the protagonists to alter their fate, which leads to the disintegration of their world and the conventions of Western dr

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rk to include elements of political thriller, with its emphasis on conspiracy theories and manipulation. Both these methods allow Głowacki to magnify state-related issues in . and parody them without scruples. Consequently, his adaptation turns into a series of absurd and abominable occurrences, as

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Hamlet, Ophelia, and history itself are employed in the mechanical production of real and imagined scenarios. These machines do not produce any definite difference but rather function in terms of . They accumulate meanings with the aim of destroying dramatic and historical structures, which might br

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articipation and activism. At the same time, through the application of mixed reality, the company extends the themes of transformation, transition, and transience in the production to reflect on changing styles of staging and new patterns of perception that they afford to audiences.

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https://doi.org/10.1057/9781137496737 the action on stage. To elucidate the significance of the trace for deconstructive adaptation, I begin with theorisation of the trace as a tool for theatre analysis and then introduce two selected works that exemplify its application: Saverio La Ruina’s . and Igor Bauersima’s ., which will be close

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https://doi.org/10.1007/978-3-642-20174-5pter argues that traces function in this adaptation as markers of a deconstructive approach and as elements that contribute to the play’s portrayal of a small community, with its conservative views on family, gender, and madness.

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