| 书目名称 | Hamlet after Deconstruction |
| 编辑 | Aneta Mancewicz |
| 视频video | |
| 概述 | Examines the role of the text in stage adaptations in the postwar period.Offers a historical trajectory and practical observations about the development of postwar playwriting.Offers new critical tool |
| 丛书名称 | Adaptation in Theatre and Performance |
| 图书封面 |  |
| 描述 | .Post-war European adaptations of .Hamlet. are defined by ambiguities and inconsistencies. Such features are at odds with the traditional model of adaptation, which focuses on expanding and explaining the source. Inspired by Derrida’s deconstruction, this book introduces a new interpretative paradigm. Central to this paradigm is the idea that an act of adaptation consists in foregrounding gaps and incoherencies in the source; it is about questioning rather than clarifying. The book explores this paradigm through seven representative European adaptations of .Hamlet. produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance. They systematically challenge the post-Romantic idea of .Hamlet. as a tragedy of great passions and heroic deeds. What does this say about .Hamlet.’s impact on post-war theatre and culture? The deconstructive analyses offered in this book show how adaptations of .Hamlet. capture crucial anxieties and concerns of post-war Europe, such as political disillusionment, postmodern scepticism, and feminist resistance, revealing exciting connections between European traditions.. |
| 出版日期 | Book 2022 |
| 关键词 | Derrida; Dewriting; Adaptation; European; Tom Stoppard |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-030-96806-9 |
| isbn_softcover | 978-3-030-96808-3 |
| isbn_ebook | 978-3-030-96806-9Series ISSN 2947-4043 Series E-ISSN 2947-4051 |
| issn_series | 2947-4043 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
发表于 2025-3-21 19:07:44
