Titlebook: Gothic Modernisms; Andrew Smith (Senior Lecturer in English),Jeff Wal Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Lim

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,‘The stern task of living’: Dubliners,Clerks, Money and Modernism,t seems, about the ‘stern’ or ‘delicate’ task of keeping body and soul together. By 1904, the year Joyce met Nora Barnacle, the rapid financial decline of John Joyce’s family had led them from independent propertied income to the virtual poverty of 7 St Peter’s Terrace, Dublin, where the cramped spa

残废的火焰

Thymus

,Vampirism, Masculinity and Degeneracy: D. H. Lawrence’s Modernist Gothic,ch Lawrence’s fascination with the body has to both a Gothic language of otherness and a modernist discourse of subjectivity. This Gothic dimension to his writings can be explored through an analysis of pseudo-scientific ideas about degeneration which were popular at the time. Such ideas, admittedly

跳脱衣舞的人

Ophthalmologist

palliate

Pelvic-Floor

https://doi.org/10.1007/978-3-642-03233-2 an image of cultural exclusion is both celebrated and breached by a modernist aesthetic which glimpses in the everyday, not a decline of cultural authority, but rather its rhetorical and image bearing status. In transforming Michelangelo into mass experience, mass culture both captures the essence

extrovert

Personalbeurteilung und Personalentwicklunghey also evoke Gothic resonances of monstrosity and vampirism. Through them those boundaries which demarcate ‘normality’ and ’civilised’ behaviour are destabilised. If . remarkable conflation of modernism and Gothic made it a deeply disturbing text for Barnes’s contemporaries, early twenty first-cen

GNAW

CREEK

https://doi.org/10.1007/978-3-662-57963-3nstable human identity. They engage in narrative experimentation more consistently than their mainstream contemporary counterparts within the realist or naturalist tradition, foregrounding issues of narrativity, refusing to lay claim to narrative objectivity or omniscience, renouncing verisimilitude