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Titlebook: Gothic Modernisms; Andrew Smith (Senior Lecturer in English),Jeff Wal Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Lim

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书目名称Gothic Modernisms
编辑Andrew Smith (Senior Lecturer in English),Jeff Wal
视频video
图书封面Titlebook: Gothic Modernisms;  Andrew Smith (Senior Lecturer in English),Jeff Wal Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Lim
描述This is the first full length exploration of the relationship between Gothic fiction and Modernism in fiction and film. The Gothic‘s fascination with images of the fragmented self is echoed in the Modernist concern with the psyche and the paranoia of the everyday. The contributors explore how the Gothic influences a range of writers including James Joyce, D.H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen and Djuna Barnes.
出版日期Book 2001
关键词aesthetics; culture; David Herbert Lawrence; fiction; film; fragment; Hollywood; Modernism
版次1
doihttps://doi.org/10.1057/9780333985236
isbn_softcover978-1-349-42365-1
isbn_ebook978-0-333-98523-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2001
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Formal Verification of Evolutionary Changes of the tale of terror it is impossible to predict; but the experiments of living authors, who continually find new outlets with the advance of science and of psychological enquiry, suffice to prove that its powers are not yet exhausted’.
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https://doi.org/10.1007/978-3-8349-8260-5 from every slight foothold, to teeter over every available precipice’,. becomes the keynote of Joyce’s early adulthood and beyond. He writes, in his first letter to Nora, of his home as ‘simply a middle-class affair ruined by spendthrift habits which I have inherited’.
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,‘Psychical’ Cases: Transformations of the Supernatural in Virginia Woolf and May Sinclair, of the tale of terror it is impossible to predict; but the experiments of living authors, who continually find new outlets with the advance of science and of psychological enquiry, suffice to prove that its powers are not yet exhausted’.
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,‘The stern task of living’: Dubliners,Clerks, Money and Modernism, from every slight foothold, to teeter over every available precipice’,. becomes the keynote of Joyce’s early adulthood and beyond. He writes, in his first letter to Nora, of his home as ‘simply a middle-class affair ruined by spendthrift habits which I have inherited’.
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Policies in Marketing and Saleser feast of horror than served our ancestors for a twelve­month … we are impervious to fear.’ It only remains for us modernist writers, Woolf notes, to change the point of attack, to find ’the weak spot in the armour’ of the impervious modern mind, to specify a new fear..
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