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Titlebook: Gender in Spanish Urban Spaces; Literary and Visual Maria C. DiFrancesco,Debra J. Ochoa Book 2017 The Editor(s) (if applicable) and The Au

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Defining Mother’s Place in Barcelona: Women in , (2010)mily structure while still inhabiting the traditional domestic space of women. Through the urban, gendered spaces the characters inhabit, this film problematizes the position of mother in the cultural context of twenty-first-century Spain.
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Re-Creating Space in Cristina Cerezales Laforet’s , (2013)reative way to alter men’s and women’s places in urban society when opposites—sky and well, male and female, house and urban space—attain a new balance. Cerezales illuminates the power of the pen by transposing the space her characters occupy, with the male inside and the female outside.
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The Female Façade and the Façade of the Female in the Mini-Series , (2013)rbanization on female agency. What emerges from this approach is the analysis of a contemporary Spanish television series through the lens of what Benjamin Fraser identifies as urban cultural studies—(i.e., cultural studies within an urban frame).
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The City Unmapped: A Feminist Imagination of Urban Spaces in Javier Pérez Andújar’s , (2011). By doing so, the author argues that the centrality of the trope of the ‘river’ and the ‘aged mother,’ as thematized in ., evokes an urban imagination that challenges complex valences of a culture of commodification, sketching the potential of a future shaped by forms of sustainability.
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https://doi.org/10.1007/978-1-4842-0157-2the author’s reading of . offers is a glimpse into the insidious ways that immigrant women are funneled into spaces and contexts of dependence and marginalization, thus affirming the unique challenges posed to cosmopolitanism in a setting where ., a problematic and localized iteration of cultural purity, and its attendant machismo, prevail.
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On the Affective Politics of Cosmopolitanism: African Migration, Lavapiés, and the Domestic Realm inthe author’s reading of . offers is a glimpse into the insidious ways that immigrant women are funneled into spaces and contexts of dependence and marginalization, thus affirming the unique challenges posed to cosmopolitanism in a setting where ., a problematic and localized iteration of cultural purity, and its attendant machismo, prevail.
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