Titlebook: Gender in Spanish Urban Spaces; Literary and Visual Maria C. DiFrancesco,Debra J. Ochoa Book 2017 The Editor(s) (if applicable) and The Au

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Searching in the City of Lost Memories: , (2009) and Post-11-M Traumalic rendition of collective grief and the haunting past of March 11 embodied in the character played by Carmen Machi. Both gendered violence and historical memory are connected and articulated in the movie by spatiality—public and private urban spaces—and its social and ideological implications. Alt

champaign

The Female Façade and the Façade of the Female in the Mini-Series , (2013)ted in the 2013 Spanish television miniseries, ., based on María Dueñas’ 2009 novel. Of particular interest are both urban and liminal spaces—spaces that are neither urban nor rural, both interior and exterior, and in which the public and private comingle—complicating our reading of the effects of u

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Blatant

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https://doi.org/10.1007/978-1-4842-1727-6ain tied to spaces of patriarchy. The characters of . realize that the growing fluidity of existence erodes boundaries between urban and rural spaces and blurs definitions of gender, but it does so only for as long as these changes serve the capital’s need to move freely.

Cardioversion

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FILLY

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https://doi.org/10.1007/978-1-4842-7966-3mily structure while still inhabiting the traditional domestic space of women. Through the urban, gendered spaces the characters inhabit, this film problematizes the position of mother in the cultural context of twenty-first-century Spain.

ostensible