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Titlebook: Exploring the Limits of the Human through Science Fiction; Gerald Alva Miller Book 2012 Palgrave Macmillan, a division of Nature America I

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https://doi.org/10.1007/978-981-287-727-7on and knowledge: “We take snapshots, as it were, of the passing reality, and, as these are characteristic of reality, we have only to string them on a becoming, abstract, uniform, and invisible, situated at the back of the apparatus of knowledge, in order to imitate what there is that is characteri
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R. L. Harless,A. E. Dupuy,D. D. McDanielnother: theories that draw upon science and cybernetics, epistemology and ontology, ecocriticism, animal studies, feminism, etc. have all found the “posthuman” to be a concept that opens up new avenues of thought about humanity and identity as well as how human individuals fit into an environment th
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The Spectacle of Memory: Realism, Narrative, and Time Travel Cinemama—from the initial images of reality, our intellects engage in an ongoing process of transforming these into linear narratives. This consistent ordering of reality constitutes the basis of becoming as we continually revise our own linear narrative in relation to the perceptions that our brain orders into coherence on a constant basis.
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2634-579X oaching both science fiction and critical theory, and its uses both to question what it means to be human in digital era.978-1-349-44234-8978-1-137-33079-6Series ISSN 2634-579X Series E-ISSN 2634-5803
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The Human as Desiring Machine: Anime Explorations of Disembodiment and Evolution its limits. If it is such a powerful and complex force, then how are we to consider desire’s structure? As we saw toward the end of chapter 1, Jacques Lacan argues that human identity is predicated upon a fundamental “lack” that acts as the crux and thrust of all human desire: “Desire is a relation
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The Eversion of the Virtual: Postmodernity and Control Societies in William Gibson’s Science Fictionoceeds to examine the ways in which speculations about the future of computers and robotics affect our views of such technologies in the present. Therefore, both scientific and science-fictional visions of the future prove to not be about the future at all but about the present in which we live.
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Conclusion: Beyond the Human: Ontogenesis, Technology, and the Posthuman in Kubrick and Clarke’s ,ed in posthumanism) is not separate from his/her environment. Technologies become extensions of the self, and humans become only one type of individual in a vast ecosystem that includes digital as well as natural environmental forces. In other words, posthumanism is partly about leaving behind the o
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